星期六, 12月 30, 2006

David Icke

我一年前已經開始研究這個人,他是David Icke。我不想贅訴他是什麼人,但是如果你有想要了解這個世界(或稱為他看到的世界),他是一個管道。有興趣的人可以看看以下這幾個連結。


還沒準備好的人,建議不要看,因為影片內容可能引起個體的焦慮與思想上的不適!

星期四, 12月 21, 2006

回憶當年

深夜,我聽著陳昇唱歌,看著明天要討論的文章,腦海裡浮現爸爸的樣子。就在那年,我還沒有念心理系,我跟爸爸在舊家的客廳嚴肅的討論著我升學的事。我想,我這不算長的半輩子還不到的時間內,從來沒有跟爸爸這麼認真的討論過我的想法。我跟爸爸說我想知道心理學跟哲學的關係。那是熱血少年的時代,對這世界充滿好奇。今晚,我想我已經不知不覺來到了心理學與哲學的交匯處。彷彿看見當時爸爸眼球中的棕色虹膜代表什麼,是爸爸曾幾何時業和我一樣對生命有過的熱情...
爸爸,我愛你!

星期五, 12月 15, 2006

黃子華 棟篤笑

1.愛情

白雪公主,幾咁純潔無瑕。
但係諗真?,白雪公主,識得?個王子,
灰姑娘識?個又係王子,
有個有特殊嚐好,鐘意錫青蛙?女人錫?隻青蛙一啖,
隻青蛙變出??又係王子!
有冇人諗過根本個王子係同一個人呢?
根本呢個王子都不知幾花心,周圍溝女。
仲無良到扮青蛙去溝添!


2.情竇未開

?我第一次戀愛之前,我認為自己就係楊過,
而我同書?面個楊過唯一唔同?地方、就係佢有隻大鵰。
而我?陣、就鐘意撚呢個相思多?。
同楊過一樣,我從來冇諗過要考第一?。
我只需要愛情,只要搵到我?小龍女,
我就可以拋棄學業,退隱山林,搬入新界住。
但係我一定要住西班牙別墅,我唔住得村屋,我怕蛇蟲鼠蟻。
然後每個月至多出一次市區,不過我唔會逗留得耐,
問亞媽?完零用錢我就會番番入去。
冇錯,基本上、我由中一至中五都係?呢種咁超然?思想下度過。
當時學校最流行?辯論題目係:中學生應否談戀愛?
我認為,我地應該辯論?係『中學生應否讀書?』
而?我第一次戀愛之前,我?小龍女只需要一個條件,
就係靚,我知道我咁諗你好幼稚,
但當時我年紀小,唔知道原來身裁都好重要。


3.性

聖人話:『食色性也!』
食同色,好唔同!
一個人無論幾鐘意食,
會唔會比幾十蚊入戲院睇套『蒸氣騰騰小龍包』?
一個人無論幾鐘意食,
又會唔會為?望一舊冇包住?牛肉望到位車撞?


4.愛情

戀愛唔係PART-TIME,你唔可以話:『愛!做完咪走囉!』
戀愛係一盤生意,你要二十四小時諗住佢。
自己生意,冇所謂PART-TIME 正識。
人地放假或者過年過節,你更加要開OT添。
行花市啦行海旁啦睇戲食飯啦....
你有乜?競爭對手呢?
我冇競爭對手?!
你估你係專利巴士公司呀?
港巴都執?啦!
有冇考慮結婚?
咁就要向公眾交代,咁就即係上市啦!
所以,『中學生應否談戀愛』唔係問題、
問題係『人類應否有兩份全職工作?』
你再拍拖,需要知會你老闆:
『老細,我出面搵?份戀愛,
我真係好需要呢份戀愛?,
不過公司??我會照做,我兼顧到??。』
然後你老闆會話:
『咁你不如搵多份愛情,咪直情唔洗番呢分工囉


5.新鮮

依家?人溝女,對絛女最大?要係乜呀?
唔係靚,最緊要,係夠新鮮!
乜?叫做夠新鮮呀?
就係話、溝?一年?個,就唔夠溝?半年?個咁正。
因為半年?個新相識,新鮮?。
同樣,溝?半年?個,就唔夠三個月咁正。
溝?一個月就唔夠半個月?個咁正。
溝?一日就唔夠半日?個正,如此類推,終於...
溝??件,就唔夠未溝果件咁正!
咁即係點呢??
仲溝唔溝好呢?一溝就唔正?!

 
6.女人偉大

黃:係愛情之中,女人最偉大!
男人o既犧牲,就為o左追求美麗,
而女人o既犧牲,就只係得倒一個麻甩佬!
而最偉大既係佢地根本唔覺得係犧牲.
如果你話俾一個女人聽,喂,你男朋友有口臭!
張:車.人梗有局部缺點o既!
黃:佢仲有臭狐同香港腳喎!
張:咁佢咪好平均咯!
黃:佢鼻鼾聲好勁喎!
張:我男朋友一定係夢見我,我開心.
黃:佢屙尿亂o甘啡!
張:好壯呀!
黃:佢唔洗手喎!
張:邊有男人洗手o架!
黃:我有!
張:姆型!
黃:佢重講粗口呀!
張:但係佢心地好!
黃:佢係電梯度食煙喎!
張:公眾場合都唔俾食咯,佢咪呢埋一邊食囉,你地重想點呀!


7.責任何在?

如果你話我聽,因為我唔靚仔,所以唔可以做戲,
你唔應該話我聽!
因為唔關我事,我唔應該負呢個責任,你應該同我父母講,
係佢地攪成我咁o既.
如果你要罰,應該罰佢地.
以後,邊個醜樣,就罰佢爸爸,媽媽唔準做戲!
或者剩係做茄哩啡!
我唔係一個唔負責任o既人,為我爸爸媽媽果短短一剎o既快感,
我已經負責負o左廿幾年.
你估做我好易做呀?
我細個讀書唔好,或者唔合格,我冇要父母負責.
我自己簽晒o的成績表o既,
每當我爸爸媽媽有爭執鬧交o既時候,
我有冇叫佢地為o左我o既童年著想,忍下對方?
冇!
我叫佢地出街鬧!
我大個O左,唔知應該信邊個宗教,唔知做人為嘜,唔知人生事業o既方向都冇要求又母照顧我
反而係我調番轉頭,提醒佢地:
你地要搵錢呀,積穀防飢呀,唔係第日老來無依無靠呀!
嘜野都係我!


8.男仔唔駛靚仔

靚仔係唔係真係o甘重要呀?
有o的人話男人唔駛靚仔o既,有才華o米得囉.
係,你有冇試過帶你o既才華去落disco識女仔呀?
人地o的靚仔一行入去,唔洗二十分鐘,就已經同的女仔互相問問題:
[你度定我度?]
我帶住我o既才華入到去,幾難先搵到個女仔肯比個機會我.
唔係比機會我交換問題,而係比機會我天才表演.
唱歌跳舞做話劇講大話功夫表演,成套歡樂今宵一個人做一次......
 

9.演戲天份

我從小就知道,我係一個偉大既演員.
人地細個成班細路群埋,鐘意玩扮結婚,扮爸爸媽媽.
我細個,就鐘意扮姦夫淫婦.
但係唔知係o米我個樣比較老實,我係從來都無機會扮奸夫.
每次我都係扮淫婦......既老公.
雖然係o甘,雖然,我亦都係全班人之中最細個個.
但係我已經可以將一個妒忌o既男人心態表現得淋漓盡至.
當然,我的朋友個個都讚我,話我天生出黎,就係戴綠帽既.


10.死亡

細個o個陣,我係唔怕死o既.
我覺得,係以前o的人先會死o既.
係歷史書裡面o既人至會死.
好多人唔明歷史有嘜用,歷史o米話你聽邊o的人死o左囉.
我從來未睇過一本歷史書有提到黃子華呢個名,我點會死呀.
最緊要係,就算死都唔係嘜o野一回事.
細個o個陣隔離陳師奶成日叫佢老公:[咁多人去死你仲唔去死?]
然後去完番o黎,阿陳師奶又會話:[死番o黎勒,唔死多陣添?]
所以我一路都認為,去死,即係去街,同埋一定唔會去好遠.
因為阿陳生每次都好快就返黎o既.


11.愛情

白雪公主,幾甘純潔無瑕.
但係諗真o的,白雪公主,識得o個個係王子,灰姑娘識o個個又係王子,
有個有特殊嚐好,鐘意錫青蛙o既女人錫o左隻青蛙一啖,
隻青蛙變出黎o既又係王子!
有冇人諗過根本個王子係同個人呢?
根本呢個王子都不知幾花心,周圍溝女.
仲無良到扮青蛙去溝添!


12.泳池

黃:去公眾泳o個D唔係叫做游水,o個D叫做浸水.
因為係公眾泳池游水,只可以用一種泳式,
就係彈式,同一個位,彈下彈下.
張:如果係高手可以用式,但係要潛落水底o個度用.
黃:點解D泳池有咁多人?
張:唔好問呀,趁人多你好快浸下.
等陣所有人上晒水個陣,你就會發覺,
個池的水原來到膝頭哥o架o乍!
黃:其實我地香港人都習慣o左人多,去浸 o下水都好.
但係可惜o既係,呢D水,唔係一般水,呢D係暖水.
張:o下,o係度屙尿,o甘冇公德心!
由細到大我爸爸媽媽都教我,急尿,去隔離池丫嘛!
黃:所以我係度,趁呢個機會,同你D靚仔講呀!!
游游o下小童走o黎大人池,擒係個池邊,
唔好話我聽係學游水呀!
張:特別係擒正係噴水口個D呀!
想毀屍滅跡呀!


13.改名

改名,只係o的父母係將自己o既主觀意願套係o的仔女身上.
所以大部份女仔唔係叫美嘜就係麗嘜.
男仔唔係叫阿堅,就係阿強,一唔係就叫阿祥.
o甘我地係o米好美麗,好堅好強好長呢?


14.黑白不明

我非常欣賞鄧小平o既「黑貓白貓,捉到老鼠就是好貓.」
我老友阿雄個老婆生仔,生左個黑人出o黎,我都係o甘對佢講:
「黑仔,白仔,快高長大就係你個仔啦!」
 

15.鬧人

以前我地笑人,會話:
你有得發達?太陽由西邊出o黎呀!
依家我地就會話:
你有得發達?建築面積等如實用面積呀!
又或者話人醜,現在我地都會技巧好多:
你唔醜,你點算醜呀,你係塊面唔多實用o甘解o麻.
你o既鼻台太大,
o的眼耳口鼻o米唔見洗o羅!


16.失戀

失戀係會令人成長o既.
我失戀之前,一向都覺得世界上所有問題都有答案.
點解我地每日都要8點鐘起身返工呀?
因為夠鐘o羅!
點解我地有夠鐘呢樣o野呀?
因為我地唔用浮動上班時間o羅.
點解呢個世界有戰爭?
因為我地有武器羅.
o甘點解我地要有武器呀?
因為佢地有武器o羅.
一切都有答案,直到我失戀.
阿珍,點解你唔愛我?
阿珍比o左一個經典既答覆我,佢話:
愛情係有點解o架,係唔可以解釋o架,唔好問啦.(記緊這句啦)
如果番學阿sir問我o野都可以o甘答就好o勒!
黃子華,物体燃燒點解需要氧氣呀?
阿sir,係冇點解o架,係唔可以解釋o架,唔好問我啦!


17.隆胸

葉子微簡直為演藝界創下新標準.
以後的女仔想做明星,又唔洗睇樣,又唔洗睇演技,去磅啦!!!(加強語氣)
得入去磅一磅就得o勒.
[開黎六斤半,片酬係六千五蚊一日,小姐做唔做?]
[開黎八斤有疤痕,八千減一千疤痕費,即係7千蚊一日.]
你話幾客觀呢!


18.愛滋論

為何無人提及大陸收番香港呢?
其實即是有愛滋一樣,
你係唔係走去驗先,
我驗o左你係唔係可以醫番好我先,
唔係o架o麻,我咪唔去驗o羅,
咪當自己無o羅,如果有就等發出來咪死o羅,係咪先?(高半聲!)
同樣大陸要收番香港這問題都係o架o麻,
係唔係講下佢會唔收先,
係唔係我帶安全套佢唔收,
我見客又帶,連食飯都帶3個,
唔係啦!!(低半語)
大家來做個大o架粒住香港!!
唔係架o麻,你講唔講,
佢要收就收架啦!!
 

19.一家和一國兩制

世界上有嘜羞恥得過親娘接返個親生仔o番o黎,
然後同個仔講:
[阿仔你放心,我地一家兩制架,果個係你大佬!!]
[仆街,人地叫你呀!] (同大佬講及打大佬o既頭)
[sorry...sorry...有冇嚇親你呀,唔會發生係你身上,
我地一家兩制家麻,五十年不變!!!]
你知唔知道一國兩制最偉大既地方係嘜呀,
一國兩制最偉大o既地方就係佢地都肯認佢地自己個制真是嚇親人呀!


20.放假

黃:一般人都會好珍惜每年一度o既年假!
張:今年我要去夏威夷游o下水.
黃:如果你決定去夏威夷,你就要預忖出沉重代價!前四後六!
張:我講緊係年假,唔係產假呀,子華!(真係呀....)
黃:前四後六既意思係,係你放假之前個四個禮拜,同你放假之後六個禮拜,
都要做到仆街!(死未)因為無論你放幾耐假,你o既o野始終係你做番.
張:係你既始終係你o既!
黃:唔單止,放完假,唔係你既都會變成係你o既!


21.金勞

點解要帶金勞??
唔帶勞,有乜資格同人講,時間係寶貴?
我既時間點值錢呀?(你話係唔係先)
o拿,支時針圍住行一個圈,12個鐘,十幾皮o野,即係為皮幾o野一個鐘
你一個鐘值幾錢o丫?
幾舊水?
我點同你一齊食飯呀,大家時間觀念o甘唔同!
唔單止o甘,你帶勞,表示你個人有幽默感.
勞力士,有邊個靠勞力搵食o既人帶得起勞力士o丫?
越帶勞力士o既人就越表示佢唔洗用勞力!
呢D,就叫做幽默感o勒.


22.女愛情觀

吳:女仔對愛同鐘意有很大既分別,如果個女仔知道個男仔鐘意佢呢,
她都會同佢去o下街,睇o下戲,食o下飯,但想做進一步既野就唔得o勒.
而女仔知道個男仔愛她時係絕對可以付出更多.
在女仔心目中,鐘意等於"幫襯",鋪鋪清唔好找我更多好處,
但愛在女仔心中等於"收購",
收購包括"注資",以後"合併"......(係呀...係呀!)
所以女仔要男仔把佢o既愛注資落o黎,把護口注資落o黎,最重要o既係把錢資落o黎.
然後去買 Joyce啦,Panda 啦,Gueeo啦,買到一身都o係,
等佢認為可拱固佢自己既價值,但佢地是絕對無得倒男方o既同意架!!
o拿!!我宜家同你地講呀,你地o既黑箱作業,
很容易破壞男方o既經濟o架!!!(你們都很有共鳴o拿)


23.男愛情觀

吳:男仔對愛就很隨便,愛同鐘意都無分別,
只要佢知道妳鐘意佢,立即可帶妳番屋企,或去妳屋企,
係唔係男仔心中無愛呢?我覺得又唔係o可.
係佢地比其他人更清楚愛o既定義,
愛係乜呢?跟耶蘇既講法係:
愛係恆久忍耐又有恩賜
愛係不張狂,不大喚,不作害羞的事
忘記別人的錯.
你話o勒作為小小男人o既我地怎可隨隨便便同你講聲愛呀!!
所以以後有人同你講愛,
一就是他講大話(加強語氣),二就是有個耶蘇係你面前呀.
但耶穌主張愛人如己,博愛o架!!

 
24.自重

當乜o野人都唔搵我做o野,
我就知道,我係一個偉大o既藝術家,
在生o既時候係唔會獲得應得o既尊重.
唔止o甘,我仲偉大過偉大o既藝術家,因為我知道,
我死後都不會受到尊重.


25.紅館

依家做歌星,好犀利,因為有紅磡体育館.
因為呢樣o野,做歌星,可以o係一晚.
就賺晒你o地朝九晚五一世人都搵唔到o既錢啦!!
o的人話,我真係唔明張國榮點解要退休,(點解?)
佢一晚已經搵o左你一世搵o既野,
佢一晚已經做天你一世人要做既野,
仲有乜野可以做呀??
唔退休做乜?
做五場,已經輪迴五次!
做三十場,輪迴三十次,如來佛祖都話:洗唔洗???
的人話,唔係既,佢唔拾得退休既!佢最後個場演唱會,佢自己都o咸o架.
佢係o咸,不過唔係為自己o咸,o係為o左你o地o咸呀:
[我就退休勒,我聽日就唔洗DO勒,.你地聽日仲要番九點,唔好遲到呀!!]

 
26.迷惘

o係公司,老闆會同我講:
[你番o黎唔係訓就o係去廁所,你當呢度係屋企呀,呢度係公司呀.]
我番到屋企,阿媽又會話:
[你仲當呢到係你屋企咩,你番o黎唔係霸住個廁所就剩係識訓!]
[o甘...o甘我番屋企又唔訓覺又唔去廁所,番公司又唔去廁所唔訓,o甘我呢o的o野去邊到做呀?]
不過後o黎我諗過自己又係過份的o既,於是我就痛改前非.
以後番屋企我就剩係訓覺,番公司就剩係去廁所.
 
 
27.居安思危

董建華講o左多o野知唔知最o岩係邊句?大家知唔知呀.
最o岩就係:[我地要居安思危,居安地思想危難既時刻.]
呢句野好得意架o可,居安就思危,o甘你居危時思乜呢?
你更係更加思危架啦,o甘樣居安果時要思危,居危時又思危,
安黎做乜鬼o野呀!!?(係o米先)
我地居安就係唔想思危o架o麻,我地宜家居安都要思危,
董建華就話o左比你地各位聽:[你地安極有限啦老友!!]

 
28.老豆

我一向以為老豆,係option黎o既,附加o架o乍.
無錯,大部份人係有老豆既,
就正等如大部份既車係有收音機一樣.
但係個樣係option黎之o麻,唔係架架車都有.
所以我細個o個陣好憎o的o靚仔成日係我面前話:
[我老豆點點點.......]
我覺得o個o的人好o西命,就好似你有部車,
不停o甘同人講:
[我部車開蓬架,大包圍o架!]
你不如話:[你老豆開蓬o架,用無鉛汽油o架.....] 29.十八歲
點解十八歲先至係合法年齡呢?
因為到o左十八歲,係法律上我地就要對自己負責任
多餘,唔通十八歲之前,我地就唔洗對自己負責o羊?
唔通十八歲之前,我就可以隨時撲出馬路:
[我唔信呀,我17歲半o乍,你敢撞死我?]
唔通十八歲之,前我o係油麻地踩完個紋身佬一腳,個紋身佬會話:
[死o靚仔,你未夠十八歲,我忍你!]
[唉,十八歲既最大好處,就係你到o左一個合法既做愛年齡.]
我想請問,有邊個做愛係因為合法先做o架.
我以為大部份人做愛係為o左快感同高潮?
抑或你想話我聽,十八歲之前做愛係冇高潮o既.
十八歲之前做愛係白做既!
o甘樣十八歲就具有特別意義o勒!


30.中國古仔

每個番去大陸一定有起碼十個故事講番出o黎,
歌仔都有得唱,一首歌總括番大陸既經驗:
[十個古仔,九個係曳,淋漓盡致,嚇壞腸胃,
公安綁架,霸肚生仔,番到大陸,實會心悸,
啊亂個鬼,賤個鬼,死俾你睇,法律隨時倒轉夾硬o黎,
人人自動自覺甘心做蟻,因為馬克思你無曬問題,
因為馬克思你無曬問題!]


31.拜年

呢幾年,拜年既賀詞之中,最流行係邊句?
祝你------不勞而獲.(唔係o卦?)
恭喜人地發財當然好,但係發財,都要有方法.
有邊一個方法,好得過不勞而獲?(係o米)
不勞而獲o既方法就係唔洗方法,唔洗方法就係最好o既方法.
我地想發財,已經想到到o左一個禪o既景界!
不勞而獲既然可以成為新年賀詞,我期待係未來幾年,
我地話人蛇鼠一窩,即係讚佢合群,話人非奸即盜,即係話佢勇敢!
o華,真羨慕你呢個家庭,真係蛇鼠一窩非奸盜.
梗係,唔係我地點會陷家富貴!


32.真人對話

黃 : o個陣仲未有173呢D熱線電話,我就已經用我o既天才,
構思o左一種主動731熱線!
張 : 講乜呀?
黃 : 你依家隻手擺係邊?
你又知唔知我隻手擺係邊?
只要你話俾我知你隻手擺係邊,
我就可以估倒你o既年齡,生日同埋血型.
張 : 反應好唔好呀?
黃 : 深受一般家庭婦女歡迎!
張 : o甘o米賺好多?
黃 : 過得去啦,晚晚做到天光.
不過我到依家都唔知點收錢 .
 

33.兒童教育

我一向都認為,我地成日o厄o的細佬仔,懶係nice o甘對佢地,
講到呢個世界乜o野都好好o甘,o甘係唔o岩o既,(何解?)
細個我同媽媽搭飛機,睇見廁所既水係藍色,我未見過,
咪走去問媽媽o個o的係乜?
媽媽話:[係天空.]
所以我就成為世界上第一個食迥天空o既人.
細個的大人成日講童話講白雪公主.(你都聽過啦.!)
佢地講既就係白雪公主又靚又好人,好值得去追求.
但係冇講到我地唔係白馬王子!
邊個人至係白馬王子呀?
起碼有隻白馬啦.
o甘就即係馬主啦,你係唔係呀?
講o的唔講o的好危險o架.
即係等如你同個細路仔講:
[小明呀,飛出窗口好過引o既,成個香港望o西o架,浮下浮下.....]
但係唔同佢講:[不過你落到下個陣,會快過搭電梯好多!]


34.賭馬

喂,賭馬係需要付出好多o架.
朝早要睇晨操夜晚要睇董鏢,又要同朋友交換讀書報告.
你估我地睇得書少?市面幾多馬經呀?
仲唔係話你睇得多就得o架o咼!
香港D馬經,一埸十隻馬,十隻馬都有人貼,你自己思想唔夠獨立,
o甘你就死梗o勒:唔該,呢場每隻幫我落100蚊o丫!希望中o勒!
夏天o黎o勒,抖暑o勒,你估係比D馬休息咩?係比我地休息呀!
 

35.用家炒家

好多人結婚,最初就以為自己係婚姻o既用家.
後來先發覺自己係感情o既炒家,於是想離婚.
但係離婚又要攪幾年,睇住周街都係新盤靚盤,
自己個盤又放唔出,幾難受!

星期日, 11月 26, 2006

日日春關懷互助協會


當場的感想是
(1)我知道性工作者需要被保護,就像一般市民的保護,有人權。
(2)我知道罰嫖模式是個錯誤的模式。
(3)我知道罰淫模式是個錯誤的模式。
(4)性產業要去污名化。

所以,我現在要做什麼?我坐在會場裡想這個論壇到底是為何而設?這個論壇匯聚了很多人,聽台上的人講這些東西,是為何?好奇?好奇完之後呢?我們是在接觸這個議題沒錯,或許我們正在接觸而已,但是這個活動一定有它的目的,不然為什麼要辦。

目的... 我覺得是教育。現在的接觸就是一種經驗,經驗一種現實與想像的對照,這種對照製造一個機會,讓想像的世界與真實的世界對話。而什麼是想像的世界?假象的世界,充滿個人偏見的世界,受個人經驗獲得的扭曲世界。對了,就是這樣,對話的空間產生變化的機會,有了空間才能去污名化。

模式?為什麼談模式?日日春要一個東西:娼嫖都不罰!這一點很清楚。就是要這個模式!為什麼?不為什麼,就是生意,為何要罰?(我需要更多的思考激盪,考驗這樣的想法。)

我知道一個東西很清楚,就是參加這次的活動後,我的行動。我上網找了一些東西看,滿足自己的求知慾,思考自己在這件事上的位置。當我跟XT說這件事時,XT說『大家都在做對自己有利的事。』這句話我是認同的,但是又覺得用在這裡實在殘忍!不禁懷疑是這樣嗎?

to be continue..



《嘜相害》
2006/ DV / 21mins, Taiwan
Director/ Lin Jing Jie
Music/ Lim Giong
Beautifully shot, "Street Survivor" is a precious portrait of a hooker and the cop who arrested her. If the hooker needs to be working the streets in order to survive, does the cop have a choice of letting her be? Who is the oppressed in this scenario and who is to blame?

第七屆金馬國際數位短片競賽得獎名單出爐!「最佳台灣影片」則由拍攝流鶯真實故事的《嘜相害》奪得。《嘜相害》以仿紀錄片模式拍攝流鶯的真實故事,簡單的故事架構、細膩的情感,大膽結合與運用不同領域的敘事形式,獲得評審團一致認同,一舉拿下「最佳台灣影片」。

導演的話
嘗試一種簡潔且生猛有力,像紀錄片一般逼視真實的劇情片;嘗試集結影像工作者、表演工作者、音樂工作者,參與一部影像拍攝的工作,當作一起從事一項為底層發聲的社會運動。希望:假如影像是社會運動的武器的話,這部片是匕首;假如影像是藝術的話,這部片是一首動人的短歌。
轉載:http://streetsurvivor.blogspot.com/

星期三, 10月 04, 2006

041006 對話

heyhey
how u?
I have something to tell U
it's a little complicated
sigh...
wat?
u promise not to tell anyone
well u can email me anytime
promise
sure
no problem
sigh
love happens so soon
= =
love is complicated
u got love?
u kiss someone?
u gonna get married?
= =
I got love
but it 's sort of my roomate
a gal?
he lives next to me
and Io can't tell other roomates
oic
really in love?
Iam not pretty sure
I have no idea
= =
o u got a shock?
u kiss?
yapppp
hehe...
npnp
nono
only hands
hand to hand
= =
wut U think?
= =
I have no idea
hehe
so, make it slow n smooth
but
we already
hold hand
= =
there's a roomate who is really mean
I am afraid she gonna tell his parents
then we can't live in the same apartment
= =
I am really afraid
and the point is
his parents love that roomate
ic
順其自然吧
let him know wat u worry
ok
I will
gud luck my fren
thanks
I hope I can have happiness as your’s
= =but love is hard for me
love is hard for everyone
really?
but it seems easy for U
U always know wut U want
no!
I don’t know wut I want
sigh....
lots of discussion, lots of forgiveness, lots more to give
really?
= =
den, make it slowly and safe
but I am not as patience as U are
not as mature as U are
u will get urself hurt in love, but perhaps love is wat u get cured too
hah
cool clause
but I am...really afraid
= =
謙虛的面對你的焦慮, 承接自己
我現在就是阿
that’s why I am asking for Ur help
Mr Consulter
tatz gud
ur anxiety will show d way
i m jus ur fren, not a consultant
i know
you’re my friends who I can ask
discuss
sigh...I am in a mess
don’ know wut the fucking how to do
well, jus tk a breath go go slow
ok
I am doing it
so, u wanna tell me abt d guy?
ok...
don't knoe how to describe
U ask me
well, den talk abt urself, wat u feel
I felt he's nice
and soft
and he will protect U when something happened
but there's one thing
he is good to other girls too
but he know the distance
oh shit
he is jus a nice guy
he is like a brother to other girls
= =
really??
tink of sumting k?
answer me 1 simple Question
like wut
okok
I am listening
concentrate
why dont u tell all this to him and let him know?
just happend then
I have no time to tell him
ok I will bec...
I am not sure he's serious or not
= =
I haven't talk to him
= =
wat u feels wen u saw my question? answer me sincerely k?
everything is in a mess
okokk
I am afraid somthing
I daon't wanna be so serious
tell me, wat is it
after all
I am afraid to get hurt
I am afraid I will break my heart
= =
okey, u mention tat to me b4
that's why I don't want to confess to him
gud, u doing jus gud, u r more relax now
ya...so?
ya
it really works
I think
I am really to get hurt
= =
I am fucking afraid
= =
u wanna talk abt ur scard of getting hurt?
oh shit
I love someone b4
but he really break my heart
he went up with my friend in the end
= =
go slow go slow k? catch ur feelings n tell me slowly, mek me understands u
it really hurts me
okok
I have a bf when I was in HS
你覺得被背叛了?
he's my roomate
yappppp
nonon
my classmate
ya
I felted betry
felt
do u tink u afraid bcoz u dont wanna b betray again?
both of them are my classmtes
I ma sick of seeing them every day
yap
exactly
I am afraid
ok ok, den we talk abt d betray, ok?
ok
that girl I really believe her
I told all my stuff to her
ahe's the only girl I confessed in the class
she
but she used me
ok, seems lik u n her r quite close ya?
and till now
she never said sorry
yapppp
yap
close
well, u tink she is sorry to u?
yap
I tink
think
and I told her Bf too
I felt she hurted me that time
well, y u told her bf?
but she didn't do any response
yap
bec we become frds now
bec he felt sorry
and I forgave him now
but not that girl
= =
u tell her bf, so tat she nknow wat u feels, n she will sorry to u? u tink so?
yapppp
maybe
but...
I can't do anything
she was a bitch
i can c u r helpless on tat spot
nothing can chanhe her
change
I think so
yapppppppp
kind of
I know that problem B4
but I don't think that
wat is tat? tell me more clearly
it''s too complicated
I can't revenge her
I feel bad
and...
they still together now
I wanna they broke up
so, at last d word revenge came out of ur mouth
wat u wan is revenge rite?
?
yapp
exactly
so, wat is d connection between u r in love n u wanna revenge?
um...
ua...you8're right
no no no!
tell me d answer
um...
come on, face ur hopeless n helpless
um,,,
I hate revenge
sincere to ur feelings
but...
I wanna she get hurt too
I wanna ahe know wut I feel
she
know
ok, u hate revenge now rite?
yap
u wan her to know ur sorrow rite?
then?
yappppppppppp
face it, talk to her
now wat u tink?
talk to her?
it...
it’s weird to talk her about this now
watz d problem? u wan her to know ur feeling, but u giv excuss to urself
i mean...
sigh...
I just don’t wanna have any connection to her
tell me d sigh, wat is it behind
wat is behind ur sigh
I felt sick when I talk to her
but she betray u, she shd feel d guilty
I don’t wanna her BF misunderstanding
arent she?
nooooo
I don’t wanna her BF think I still care about him?
I don’t wanna her Bf to thaink that
I wanna her BF think it’s over now
it’s really over
so, u tink u can forgive? i dont tink so
I don’t have any feeling to him
no I don’t
so u dont wanna another betray again rite?
yapppppppppppp
so r u ready 2 tel all this to d nice guy? u willing 2?
ok
how u feel now?
ok
a little bit understanding
tatz gud
no more messy?
yapppppppppppp
clear now
thanks
welcome
thanks~~~~~loo
good night
88
byeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
gud luck
okkkkkkkkkkkkkkkk
U too

星期日, 9月 17, 2006

舊同事


『p/s: to my dear friend Danny Tai, i am still looking for u in d crowd. plz plz contact me, if u read this. x worry, B eP!』
終於,2006年的9月跟未婚妻逛街時遇到舊同事。
祝 生活愉快。

星期一, 8月 28, 2006

舊作 - 間

Taman Pertanian Negara, Malaysia. 2003. B5

舊作 - 竹(逐)

Taman Pertanian Negara, Malaysia. 2003. B5

舊作 - 洞(悉)

Batu Caves, Malaysia. 2002. B5

舊作 - 回憶 - 燈塔

Kuala Selangor, Malaysia. 2001. B5

舊作 - 回憶 - 幻影

Kuala Selangor, Malaysia. 2001. B5

異度空間

章昕(林嘉欣飾)不停的逃避,只因她經常看到靈異幻象。 羅占(張國榮飾)是昕的心理醫生,他知道她看到的靈異幻象都只是想像、虛構,從昕以往在家庭、愛情的孤獨、痛楚中產生。 占將所有時間放在昕的身上,希望可幫她離開種種恐怖而無形的異像。最終,占為昕獻上的真愛,令昕離開了多年一直置身的可怕世界。 但是,更可怕的事情將降臨到占的身上…他慢慢走上昕以前的道路:一次又一次看到虛假的影像,彷彿就像置身於另一個空間。更勾起占二十年前一段永世不能磨滅的記憶。

榆 ─ 占在中學時代的女朋友,因提出分手而自殺亡的年輕少女。占再次遇到這位二十年前的愛人,但如今已成為鬼魂。再次的出現,是否意味著占要以生命為過去作出補償?昕的幫助、昕的真愛,能否幫助占從這後可怕的回憶裡走出來?

星期六, 6月 17, 2006

諮商與心理治療理論

首先,我要向老師道歉,因為上次答應幫老師借影片播放的器材,結果自己忘記了,也沒去上課。第二,我還是要向老師道歉,因為至從那一次開始我已經沒有去上課一個月了。期末要寫心得也是後來問同學才知道的,明天要考試書也還沒念完,寫這份心得,或許是我唯一至少可以讓老師知道我這位學生,到底為什麼沒有來上課。

寫到這裡我真不知道如何寫下去,寫了又改寫了又改。主要的原因是,不來上課完全是因為私人的理由。而私人理由不能作為不來上課的藉口。我的超我在批評著本我的任性,告訴本我:我應當受懲罰。而自我在做什麼呢?就是在把這兩個交戰的過程記錄下來,讓老師知道我的掙扎。寫到這裡,我知道超我又在批評自我,因為自我在幫本我說話。我知道現在沒有人會支持超我,除非老師看見,可能會替超我說些話。如果我將私人的理由告訴老師我為什麼我沒來上課,變成我已經在為我沒有來上課這件事合理化,是一種自我保護的防衛機制,我希望透過跟老師解釋清楚,讓老師明白我的問題,不敢說是同情我,但卻讓我順利拿到這三個學分。但我並又同時不希望老師認為我是在找藉口的。

好吧,那我就是想找藉口嘛。我選擇了找藉口,去迴避我沒有去上課的愧疚感。那是我的選擇。我要知道,那是我的選擇。『難道你就不能為你的行為負責嗎?』『負責?有啊,我有在為自己沒有上課負責啊,你看我現在要自己念書準備考試,難道我還不夠負責嗎?』現在情況有點亂,這個對話的模式叫做「空椅法」。(沉默)『確實,如果我有去上課的話,有老師可以幫我導讀,我會更容易的準備考試。』『不對阿,上次其中考的時候你還不是有去上課,結果到了考試的前一晚,你還是一樣熬夜念書,結果考出來,你還是忘光了,不會寫阿!』(沉默)『可是有上課比沒有去上課好啊,至少我可以聽聽老師講的例子,看老師有什麼好書介紹,看老師在台上為了滿足自己的表演欲不斷扮演他人的父母時那種認真得讓人覺得滑稽的角色扮演,也不錯啊!』『好吧,你說服我了,確實沒有去上課,我會懷念老師上課的那種認真。可是我真的沒有討厭上課不不去上課。』

說到老師扮演起角色來的時候,真的覺得老師很會演(也很愛演)。可能是因為我是自己幫人做諮商的時候,同理心很強,可以感受到別人感受的,還可以演出來,應該跟老師的經驗有關吧。有時候雖然知道老師配合上課內容的需要在演,但是當事人那種情感的衝突/內心的感受,我完全可以感覺到,甚至有時候會撩動我的情緒。不但勾起自己的回憶,也勾起自己那種不舒服的感覺,有時候是傷心,有時是憤怒。這樣讓我很莫名奇妙,因為我明明知道老師是在演。這是為什麼呢?我百思不解。是我情感太敏感?容易同理?還是什麼?這是我上老師的課,印象最深刻的,也是最敏感的。(應該是老師太會演?)

這個學期太忙了,也太多自己沒有想到會發生的事發生。讓原本上課的熱誠,變成早上不想起床,來在那裡,不想動。是退縮嗎?很像是。生活的意義便成忙忙茫茫,不在精采。已經懶得想怎麼去制約或懲罰自己,讓自己改變。單單處理這些事情,功課就忽略了。但是,也因為這些事情讓我有機會了解自己更多的衝突,自己的問題。這學期又去見了諮商師,幾次下來的諮商,都是重要的、關鍵的、寶貴的成長經驗。也能讓自己從書上所學的知識,變成一種經驗去體會。有時候會覺得,念諮商對我的影響到底是好是壞?諮商讓我有更大的視野,更容易了解自己,連作夢都可以自己解釋,但有時候痛苦的地方是如何去收拾自己發現到的、被自己遺忘又挑起的部份。我只能說我很幸運身邊有很好的支持者,愛人、家人與朋友。這些支持讓我發現,讓我有勇氣走出困擾的常常不是諮商師,反而是我的支持系統。諮商師常常讓我更清楚我的問題在哪裡。幸好,那些曾經是困擾的部份,最後都會變成自己的支持系統的一部分,對自面對問題更有自信。

剛剛發生了一件讓我覺得很驚訝的事,我的歷史課面臨被當的可能性。雖然老師已經同意讓我做彌補的工作,但是一直沒想自己會因為沒有去上課而有被當的可能性。我一直覺得有沒有出席是非常客觀標準的學生學習態度評量方法,但沒有想到,原來這樣的客觀標準會有盲點。老師雖然知道我有出席的時候都非常認真和積極的參與課堂上的活動,但是沒有出席就是沒有出席,不能賴。除了驚訝之外,我也很難接受為什麼老師不能看在我認真上課的份上,就讓我過關,不去追究出席率。當時去見老師的時候,是有一點覺得老師過於苛求,故意為難。但是又沒辦法當著他的面說出來,畢竟自己有錯在先。

但這樣的做法也對我來說不公平,雖然其他同學也來上課,但他們都是上課講自己的,完全沒有理會老師。為什麼老師就能夠容忍這樣的學生?其實,老師也給了我彌補的機會,所以我也只是情感的部份需要喧洩出來而已。剛好要寫這篇心得,對象又是「老師」,讓我有機會投射,希望從新得到老師的接納的感覺。

其實,上完這次的《諮商與心理治療理論》我最想得到的知識並不是各個理論的介紹,而是理論發展成立背後的故事脈絡。所以趁這次暑假借了書回去看。這門課原本的目的就是要介紹理論的,所以不太抱怨沒有講得更深入。我會建議老師下次將考題範圍告訴學生,讓學生知道每一章的重點在哪裡,這樣學生不但對各個理論的重點更清楚,更不會因為要準備考試而將課文背一背,考試時吐完出來,沒有收穫來的好。另外,既然老師常常提到一些好書,建議列書單給學生交閱讀心得。

星期六, 6月 03, 2006

工商心理學

廣?電腦股份有限公司

這是第二次採訪,卻是我第一次到廣?。

載著五個人小黃在雨中的交通中穿梭,不知不覺巨人般的建築物已出現在眼前,那是廣?。在台北少見的建築風格,是流行的簡約式,非常重的科技感,後來是接待我們的李先生告訴我那是一棟新蓋的建築,那是當年對廣?的老員工來說是夢一般的建築。這棟建築只有在董事長的腦海出現,也試圖說服他的員工相信的。那是我們問起時,李先生個人覺得的廣?的價值所在──巨人的夢。

小黃停在廣?的大門,我們下車。廣?沒有所謂的大門,整棟建築物的的正中央是一個巨大的階梯,在階梯最高的地方立體的《?uanta》立在那裡,給人一種廣達比人領先站在最高處的想像,但同時階梯又可詮釋為「前面有廣?為你開路,歡迎你加入一起往上努力」。階梯的兩旁有兩道門,我們從左邊那道門進入大廳。

進入大廳,給人一種極其寬敞舒適的感覺,同時又有一種壓迫感。前面的服務台是純白橢圓的。後面延伸的空間擺放了一些不會讓人想多看一眼的室內藝術品。右邊不遠的地方有許多規劃成討論會/會客用的椅子與小桌子。個人覺得不過是看起來美觀大方舒適而有質感的沙發而已,散發出那空虛的令人有點噁心的味道。背景是發亮的黑大理石刻著我看不懂的古文。

我們到櫃檯道明來歷。結構式的對話之後,說話小聲的客服小姐動作俐落的撥電話。高級的電話機,視訊器。『請你們到左手邊的會客廳等候,馬上有人接待你們。』

冷冷的空氣,大廳約有30幾位員工小聲的三三兩兩互動著,30幾位可能有點多而難以想像,但是大廳確實有那麼大,那麼多人卻不感到絲毫擁擠。幾乎每個員工都披上一件廣達的白色工作服,袖子的地方有兩個放筆的口袋,一看就知道那是日本時代製造加工業的產物。男員工看起來都很科技,剪的是很平凡的髮型,非常一致,不用髮膠/臘的東西。偶而看見女員工,都是不會讓人想多看一眼,繃著臉的女人。整個空間像是虛擬的。人與人的互動聲量小到可以,像是電視被消音的畫面,場景是那種會在日劇出現的工作場所。更具體的說,感覺像是一個虛擬空間出現在眼前,一切都以立體投影技術呈現,窗外的雨是超大的液晶螢幕畫面。

一個先生出現在眼前,有點諷刺熱情握過手。我們被帶到一個員工訓練教室,被介紹了李先生。由李先生為我們一一解答。

星期一, 5月 22, 2006

《Good Will Hunting》電影感想

老實說,重新看過這部片時候,給我的感覺是這部電影帶出來的意義是有點沉重的。或許生命本來就有這樣的重量。有一種這樣的感覺:當我去認真看待生命這個主題的時候,我常常會感覺到其沉重,有點讓人窒息的徬徨,有點令人作嘔的不舒服,就像把大份量的蛋糕往嘴裡塞的感覺。同樣的,當我認真的看待這篇感想,想要寫出一點什麼有意思的東西來的時候,同樣的沉重、徬徨、作嘔的感覺也隨之出現,讓我有點擔心寫不出什麼來。

雖然,人們常問生命的意義在哪裡,類似這種沉重的問題,我以前也常問,但漸漸的我發覺,生命的價值不在於向生命提出疑問,反而是在你怎麼去「生活」,這個動詞中去體會與領悟。生活是具體的經驗,比憑空想想像的生活來的真實。生命的意義只有在行動中浮現。

雖然是電影,主角的爸爸、諮商師、數學家、朋友、情人的出現,像是為了劇情的需要而安排出現。但從另一個角度來看,那也就是我的生命,重要的人物在我生命中出現彷彿我被安排在他人的劇本中(演著自己的故事)。但是,同時我察覺我不是在演他人,而是我自己,人只有知道他能做什麼的時候,去以行動追求自己要的生活時,我才看得見我往何處去,這種感覺像是在電影的導演,去寫自己的劇本,演自己要的。這樣的想法可以用哲學家(忘記是誰了)的話帶出:生命沒有意義,但我可以為自己的生命寫劇本,這個劇本對自己來說,就有意義了。

生命中有太多的被遺棄的沉重拖得我好累,我需要勇氣去放掉,用心生活。放掉需要勇氣,要有勇氣,真誠的態度是必要的,唯有真誠的態度,讓我謙卑的生活,這種謙卑比自信在生活上更為踏實。諮商師的真誠態度試著讓主角感受到,讓他也真誠的去面對自己,謙卑的承認自己的脆弱,卸下自己的防衛,讓罪惡感被釋放,並獲得勇氣去原諒自己,並在諮商結束之後有能力去愛。生命並不是安排好的劇本,我有權利去創作自己的故事,我有權選擇。這些都不是空洞的形容詞、動詞加名詞。我每天都在做選擇。

引用作家高行健先生的一句話結尾:『又總是這種孤獨感拯救你,你橫豎不是基督,不必犧牲自己來點醒世人,也不可能復活,要緊的是,就這現世好好活著。』

Sean: "But you've never looked at a woman and been totally vulnerable— known someone that could level you with her eyes. Feeling like God put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term 'visiting hours' don't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself. I doubt you've ever dared to love anything that much. I look at you— I don't see an intelligent, confident man. I see a cocky, scared-shitless kid. But you're a genius Will, no one denies that. No one could possibly understand the depths of you. But you presume to know everything about me, because you saw a painting of mine, and you ripped my fuckin' life apart."

星期六, 5月 06, 2006

回饋

最近寫 blog 的量比以前多很多,最近 blog 的人氣和閱讀率也幾乎是和 blog 量成正比的(開心)。突然想問問我的 blog 讀者(就是你啦)對我的 blog 有何建議或可改善的空間,我相信你會懶的想,所以我也幫你想好了幾個建議的方向:
  1. 內容選材
  2. 版面設計
  3. 未來期望
雖然說我 blog 不是因為要吸引人閱讀我的東西,我只是分享我所見所聞,但還是希望得到你的回饋,讓我在 blog 的時候可以注意到你的需要和想法。回饋可以寫在回覆或寄信給我。謝謝。

星期五, 3月 17, 2006

The Vagina Monologues

the vagina monologues
《我在那兒,在房間之中》
我站在那兒,當我凝視時,她的陰道
忽然變成一顆張開著、悸動著的紅心。

心是能夠奉獻的。 陰道也是。
心能夠寬恕,能夠修復。
它能夠改變形狀,讓我們進去。
它能夠擴大,讓我們出來。
陰道也能夠。

它能夠為我們疼痛,為我們伸展、為我們死,
為我們流血、流血,讓我們進入這個困難、奇妙的
世界。
陰道也能夠。

我在那兒,在房間之中。
我記得。

星期五, 1月 13, 2006

文化人類學 - 《菊花與劍》

因為老師在課堂上一直不斷的提到這本書《菊花與劍》,所以我從理工圖書館借了回來看。閱讀的感想是:描寫細膩甚至有點嫌它囉哩囉嗦……實在讓人看不下去。在寫這篇讀後感時,我也只閱讀了前面的100頁。至於囉哩囉嗦的原因可能這本書原本是要寫給西方人看的而且年代久遠,我身為一個東方人,身在一個網路發達資訊交流蓬勃發展的時代下去看這本書,文化衝擊可能沒有比西方來得大,也因為從小就可以接觸日劇,對日本文化可能已經有一定的認識上的加強。

當然,文化在每一個人身上內化而不自覺,當我用我對自己文化的理解去理解《菊》時,文化便顯得是相對的。但是,如果要真正的認識一個文化,則應該將每個文化看作是獨立的去認識。我想,作者會寫出這本囉哩囉嗦的書原因也只有一個:企圖讓日本文化與他相對的西方文化獨立出來。這一點可以從作者對日文字義的解釋上看出:嘗試對應到西方文化的辭彙(相對),但也同時指出與西方詞彙字義上不同的地方(獨立)。

《菊》一開始講的是二次大戰時的日本。看了之後……開始明白什麼是日軍的暴力。我是馬來西亞人,馬來西亞曾經被日本統治3年08個月,我們(大馬人)不會忘記這個數字「3年08個月」,因為我們從國小時就被「教育」,種種因素(社會)叫你不能忘記。環境(教育)要我們記住,前輩會講一些故事,彷彿每每叫我們不要忘記那「仇恨」。但是,我們有離那個年代太遠了,如果不是「再教育」(re-education),從新理解與認識這段歷史,我或許還在一種困惑中:我們這一帶看日劇,迷日劇偶像;同時前輩又不停提醒你那段歷史,困惑的不是要放棄迷日劇偶像(當然在我們都在叛逆期的那個時候,這個可能性也太低了),而是為什麼前輩要不停的提醒你呢?或許,我還仍然迷失在「過去的已經過去」的想法中。顯然的,我們經歷的是一個活生生的文化衝擊。文化就是要你這樣那樣,彷彿沒有一個「為什麼要這樣做的理由」(或許也沒有理由)。也或許,「再教育」是一種將這「仇恨」昇華的方式之一。

書中也剖析了日本的社會階級論理觀念,同時帶著讀者深入的探討日本人中「恩」的意義。書中作者用了在《東京精神分析雜誌》中的「一封年老男人的信」(page 98~101) 最讓我明白「恩」為何物。信中男人的妻子很早去世,孩子長大後,他為一位風塵女子贖身安頓在家做女傭(他說的)。兒女、媳婦、女婿因此瞧不起他。其中精神分析師的回應非常有趣:
『我同情您長久守?之苦,但您卻用這一點來使兒女承受您的「恩」,並確為您目前的行為辯護。』『其實您的真正目的是要把她(被男人贖身的風塵女子)當作母親的代用品。我不認為應還沒有母親還能生存下去──因此,我勸你選擇上述的第二條路』『第二條路:「恢復做一個平凡的人」(去除您的虛偽),打破您的兒女心目中對你的理想幻影。』
正如作者寫道:精神分析師即具有佛洛伊德色彩又有日本特色。

其實,透過這本書認識日本文化的優點就是能夠跟隨作者從很多現象(角度)去認識得更透徹,同時也使這本書的閱讀起來有冗長、沉悶的缺點。或許,這也是《菊》的投射(笑)。更有趣的是作者為《菊》命名時將武士刀稱作劍,或許是作者的幽默吧(笑)。

性格心理學 - John Lennon

高中的時候就很喜歡Beatles,更正確來說是著迷,從網路收集了他們的故事與歌詞,印出來有300頁之多,花了一些時間看他們的故事。認識John Lennon,並成為我的第一個偶像。湊巧在知道要寫報告時,在網路上找到Imagine John Lennon這部自傳式的紀錄片,於是自然而然成了我的題材。

為什麼是披頭四?為什麼約翰藍儂成為了我的偶像?這背後的脈絡到底又是怎麼一個來龍去脈?追尋過去回憶,當時捧著一大本厚厚的,自己從網路找到的資料下載後,再經過一翻編輯排版然後印出來的《披頭四歌詞與背後意義與他們的故事》,細細的一個字一個字的咀嚼(雖然當時英文也不太好,但是卻對它著迷得很,一天一天下來還真的越看越懂)。在當時高中的生活,對生活意義的思考發燒的青春期的我,深深被那個60年代的披頭四魅力吸引。還記得那首歌……

Strawberry Fields Forever, Living is easy with eyes closed...
Nothing is real, and nothing to get hung about, Strawberry Fields Forever...
《Strawberry Field Forever》

原本想只是用影片來完成我的報告,但是看完影片一遍再看了一遍,我又對約翰藍儂產生了更大的興趣,於是上網找了很多的資料來閱讀。作業變成了自己的興趣,享受其中,也對自己的偶像有更深成的了解。雖然如此,我發現網路上的資料其實還蠻多都是東抄西抄的,所以還是有一些想知道的故事沒有辦法更全面的認識與理解,是比較遺憾的一點。

為了報告呈現的方式煩惱了幾天,遲遲不肯動筆,主要原因是(一)為了不要只是重述與翻譯一遍影片內容,去寫(看)一個人(二)引用網路的資料,而不是只做翻譯。於是,之後你會看到我的報告呈現方式是以擷取資料並陳述我的觀點,而不會另做翻譯。陳述的方式:事件-我的感覺-我的理解。

雖然已經盡求報告完整、有條有理,但由於完成報告時間緊迫,報告可能顯得草率並雜亂,希望導師與助教多多包容。另外附上影片與資料,方便參考。

John Lennon

Cynthia had recently informed John that she was pregnant: "I watched his face drain of all its colour, and fear and panic crept into his eyes. He was speechless for what seemed an age. I stared at him, my heart pounding so fast that I thought I would pass out. Once he was over the initial shock he replied: 'There's only one thing for it Cyn, we'll have to get married.'"

It is generally acknowledged that Lennon slapped his first wife, Cynthia, at least once in the early years of their relationship, as confirmed in her book, "John". The rise of Beatlemania and rigors of touring, of course, only furthered the strain on the relationship. He was also very distant to his son, Julian, who felt closer to Paul McCartney than to his father. As the younger Lennon later said, "I've never really wanted to know the truth about how dad was with me. There was some very negative stuff talked about me — like when he said I'd come out of a whiskey bottle on a Saturday night. Stuff like that. You think, where's the love in that? Paul and I used to hang about quite a bit — more than dad and I did. We had a great friendship going and there seems to be far more pictures of me and Paul playing together at that age than there are pictures of me and my dad."
It is to be noted that John brings up his seemingly uncaring abandoning of Julian in his song "Mother".

顯然,他還沒長大(沒有能力去愛,也沒有能力接受愛)。結婚象徵著責任,投射的是他父親的對他和他媽的不負責。

On 9 November 1966, after their (Beatles) final tour ended and right after he had wrapped up filming a minor role in the film How I Won the War, Lennon visited an art exhibit of Yoko Ono's at the Indica art gallery in London. Lennon began his love affair with Ono in 1968 after returning from India and leaving his estranged wife Cynthia, who filed for divorce later that year.

與Yoko結識象徵著一個開始:一份愛的開始,找回「失去的父母的愛」的開始,愛與被愛的開始。

Following the Beatles' split in 1970, he released the John Lennon/Plastic Ono Band album, a raw, brutally personal record, heavily influenced by Arthur Janov's Primal therapy, which Lennon had undergone previously.

Primal therapy is a trauma-based psychotherapy developed and popularized by Arthur Janov, Ph.D. During therapy the patient is encouraged to cry, scream, and beat objects to express childhood, perinatal and prenatal feelings.

約翰藍儂曾經接受過Arthur Janov的心理分析,於是我在網上搜尋有關約翰藍儂曾接受到底是什麼治療--Primal therapy。發現原來Primal therapy心理治療理論是建立於「愛」在出生早期對心理與神經發展的研究上。其中「吶喊」是治療的一部分……

Mother

(clock chiming)
Mother, you had me but I never had you,
I wanted you but you didn't want me,
So I got to tell you,
Goodbye, goodbye.
Farther, you left me but I never left you,
I needed you but you didn't need me,
So I got to tell you,
Goodbye, goodbye.
Children, don't do what I have done,
I couldn't walk and I tried to run,
So I got to tell you,
Goodbye, goodbye.
Mama don't go,  Daddy come home.
Mama don't go,  Daddy come home…

During this period, Julia and her baby were kept by her father and sister Anne. On Alfred's return, Julia's father asked him how he thought his wife and child had been faring and Alfred replied: "I knew she had you." Julia told her husband to get lost and their marriage was to end soon afterwards.

In the spring of 1944 Julia met a Welsh soldier by the name of Taffy Williams. They saw each other regularly for six months until Julia discovered she was pregnant with his child. Taffy wanted Julia to come and live with him but wasn't willing to take John. Julia wouldn't abandon her son and the lovers parted.

However he (John) said of Julia: "I did see my mother now and again, and my feeling never died off for her. I often thought of her … She [Mimi] said she was a long, long way away." In fact Julia lived a mere three miles away.

Love

Love is real, real is love
Love is feeling, feeling love
Love is wanting to be loved

Love is touch, touch is love
Love is reaching, reaching love
Love is asking to be loved

Love is you
You and me
Love is knowing
we can be

Love is free, free is love
Love is living, living love
Love is needed to be loved

這麼說來,如果這個治療或多或少給了約翰藍儂一些啟發,那麼他也有可能在這時期因為接受治療有了痊癒的跡象,雖然我無法得知他在什麼時候開始接受這個治療,但我看見他看起來有在努力痊癒的樣子,從他後來寫的歌、與孩子的關係、與Yoko的關係,他變得有能力去愛與被愛。
閱讀約翰藍儂的歌詞,他的愛用Fromm的「愛」來解釋,是完全相輔相成的。他的人生更像是在印證「愛」。1970他開始要找回自己失去的愛……

God

God is a Concept by which we measure our pain
I'll say it again
God is a Concept by which we measure our pain

I don't believe in magic
I don't believe in I-ching
I don't believe in Bible
I don't believe in Tarot

I don't believe in Hitler
I don't believe in Jesus
I don't believe in Kennedy
I don't believe in Buddha

I don't believe in Mantra
I don't believe in Gita
I don't believe in Yoga
I don't believe in Kings

I don't believe in Elvis
I don't believe in Zimmerman
I don't believe in Beatles
I just believe in me...and that reality

The dream is over
What can I say? the Dream is Over
Yesterday I was the Dreamweaver
But now I'm reborn
I was the Walrus
But now I'm John and
so dear friends you'll just have to carry on
The Dream is over.

『他已獲得了謙卑之情,以感知自己的界限,以至於知道他對上帝一無所知。對他來說,上帝是一個象徵,象徵著人類在進化的早期所努力爭取的一切之整體,象徵著 精神領域、愛、真理與正義。他對於「上帝」所代表的那些原則具有信仰;他心中思念著真理,又以愛及正義為生活依據,並且認為,生命之所以對他有價值,只因為生命給他以機會去更為充分的展用他的人性力量--而這是唯一重要的事,是他「無上關懷」的唯一目標;而最後,關於上帝,他終至一句話不說,甚至根本不提他的名字。因此,愛上帝--設若他還沿用這句話--的意義乃是渴望獲得充分的愛之能力,是實現「上帝」所象徵的、具備在人之內心的真理。』《愛的藝術》Erich Fromm

約翰藍儂離開披頭四的第一張專輯《John Lennon / Plastic Ono Band》(1970),其中一首歌《God》完全表達出他個人的立場/心境,而這樣的一個心境對應到Fromm在《愛的藝術》的這一段講述對神的愛,在我看來是完全吻合的。因為性格心理學這堂課讓我有機會接觸Fromm並找來了《愛的藝術》的翻譯本,念完後發現自己也處於這樣的狀態,因此特意將這一段摘錄下來,沒想到這麼巧在這裡用上了。

Imagine

Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today...

Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace...

You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will be as one

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people
Sharing all the world...

You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will live as one

In 1973, Lennon's personal life fell into disrepair when Yoko kicked John out of the house. Yoko approached May Pang, their personal assistant at the time, with a unique proposal. Yoko, who thought May Pang to be an "ideal companion" for John, asked her to "be with John and to help him out and see to it that he gets whatever he wanted." John and May soon moved to Los Angeles which had been dubbed the "lost weekend" though it lasted until the beginning of 1975. During their time together, May encouraged John to spend time with his son, Julian Lennon, and became friends with Cynthia Lennon. Though John's public drunkenness had been the subject of gossip during 1974, Pang wrote that John was usually sober in his private life and created a large body of work.

Stand By Me

When the night has come
And the land is dark
And the moon is the only light we see
No I won't be afraid
No I won't be afraid
Just as long as you stand, stand by me

And darling, darling stand by me
Oh, now, now, stand by me
Stand by me, stand by me

If the sky that we look upon
Should tumble and fall
And the mountain should crumble to the sea
I won't cry, I won't cry
No I won't shed a tear
Just as long as you stand, stand by me

And darling, darling stand by me
Oh, stand by me
Stand by me, stand by me, stand by me

Whenever you're in trouble won't you stand by me
Oh, now, now, stand by me
Oh, stand by me, stand by me, stand by me

Darling, darling stand by me
Stand by me
Oh stand by me, stand by me, stand by me.

這個時候的約翰藍儂說自己像是自己18,19歲的那時候。酒醉後,他咆哮。我想:Yoko離開他,像是當年母親的離開。而他自己也覺得他應該離開,一個人靜一靜的同時,像是他的父親的離開。「離開」在約翰藍儂的生命中佔了大部分。此時,他的要解決的問題不再是Yoko的離去那麼簡單,他面對的是自己對於「離開」這回事、他的童年、他早期對於「離開」的痛苦。

I was out of control and nobody was looking after me.
I needed somebody to love me and there was nobody there,
And I would fell apart...

於是,他回到Yoko的身邊。

Woman

Woman I can hardly express,
My mixed emotion at my thoughtlessness,
After all I'm forever in your debt,
And woman I will try express,
My inner feelings and thankfullness,
For showing me the meaning of succsess,
oooh well, well,
oooh well, well,

Woman I know you understand
The little child inside the man,
Please remember my life is in your hands,
And woman hold me close to your heart,
However, distant don't keep us apart,
After all it is written in the stars,
oooh well, well,
oooh well, well,

Woman please let me explain,
I never mean(t) to cause you sorrow or pain,
So let me tell you again and again and again,
I love you (yeah, yeah) now and forever,
I love you (yeah, yeah) now and forever,
I love you (yeah, yeah) now and forever,
I love you (yeah, yeah)....

At this point Yoko was pregnant with what would be their first child, and Lennon — saddened by the fact that due to Beatlemania he had never gotten to experience fatherhood with his first son Julian — retired from music and dedicated himself to family life.

Alfred was rarely home as he was often at sea with the merchant navy.
During this period, Julia and her baby were kept by her father and sister Anne. On Alfred's return, Julia's father asked him how he thought his wife and child had been faring and Alfred replied: "I knew she had you." Julia told her husband to get lost and their marriage was to end soon afterwards.
Alfred remembers: "He runs out and jumps on my knee, asking if she's coming back. That's obviously what he wanted. I said no, he had to decide whether to stay with me or go with her … John ran after her. That was the last I saw or heard of him until I was told he'd become a Beatle." John Lennon chose to be with his mother.

Beautiful Boy (Darling Boy)

Close your eyes,
Have no fear,
The monsters gone,
He's on the run and your daddy's here,

Beautiful, Beautiful, beautiful, Beautiful Boy,

Before you go to sleep,
Say a little prayer,
Every day in every way,
It's getting better and better,

Beautiful, Beautiful, beautiful, Beautiful Boy,

Out on the ocean sailing away,
I can hardly wait,
To see you to come of age,
But I guess we'll both,
Just have to be patient,
Yes it's a long way to go,
But in the meantime,

Before you cross the street,
Take my hand,
Life is just what happens to you,
While your busy making other plans,

Beautiful, Beautiful, beautiful, Beautiful Boy,
Darling, Darling, Darling Sean.

《Beautiful Boy (Darling Boy)》寫給Sean和Julian的同時寫給自己。約翰藍儂的父親常出海,對他疏於照顧(可以說不曾照顧)。沒有得到父親的愛是他畢生的遺憾。

Starting Over

Our life together is so precious together,
We have grown - we have grown,
Although our love is still special,
Let's take our chance and fly away somewhere alone,

It's been so long since we took the time,
No-one's to blame,
I know time flies so quikly,
But when I see you darling,
It's like we both are falling in love again,
It'll be just like starting over - starting over,

Everyday we used to make it love,
Why can't we be making love nice and easy,
It's time to spread our wing's and fly,
Don't let another day go by my love,
It'll be just like starting over - starting over,

Why don't we take off alone,
Take a trip far, far away,
We'll be together on our own again,
Like we used to in the early days,
Well, well, well darling,

It's been so long since we took the time,
No-one's to blame,
I know time flies so quikly,
But when I see you darling,
It's like we both are falling in love again,
It'll be just like starting over - starting over,

Everyday we used to make it love,
Why can't we be making love nice and easy,
It's time to spread our wing's and fly,
Don't let another day go by my love,
It'll be just like starting over - starting over,

Our life together is so precious together,
We have grown - we have grown,
Although our love is still special,
Let's take our chance and fly away somewhere alone.

《Double Fantasy》(1980)約翰藍儂的最後一張專輯,與上一個專輯《Shaved Fish》(1975)發行日期隔了5年之久。這五年對他的意義之重大可以從這張專輯聽出,他在這段時間專心的做一個父親,一個丈夫,沒有音樂,甚至沒有一次主動向兒子提出自己的身分,直到二兒子Sean在電視上看見披頭四。專心做一個父親對他是重要的。可以說他《Help Me To Help Myself》的在發展自己的愛,也正是他從小就失去的愛。學習去愛更是Erich Fromm強調的。

"(Just Like) Starting Over" began climbing the singles charts, and Lennon started thinking about a brand new world tour.

In the late afternoon of 8 December 1980, in New York City, Mark David Chapman met Lennon as he left his home in the Dakota building for a recording session and got his copy of Double Fantasy autographed. This goodwill gesture of Lennon signing an album for a presumed fan was caught by a photographer present, and would be published on the front page of the New York Daily News later that week. Chapman remained in the vicinity of the Dakota building for most of the day as a fireworks demonstration in nearby Central Park distracted the doorman and passers-by.
Later that evening, Lennon and Ono returned to their apartment from recording Ono's single "Walking on Thin Ice" for their next album. At 10.50pm, their limousine pulled up to the entrance of the Dakota. Ono got out of the car first, followed by Lennon. As Ono went in, Lennon glanced at Chapman, then proceeded on through the entrance to the building.

As Lennon walked past him, Chapman calmly called out "Mr. Lennon?" As Lennon turned, Chapman crouched into what witnesses called a "combat" stance and fired five hollowpoint bullets. One bullet missed, but four bullets entered Lennon's back and shoulder. One of the four bullets fatally pierced his aorta.
Chapman stood there, holding his .38 Charter Arms revolver, which was pulled out of his hands and kicked away by Jose Perdomo who then asked "What have you done, what have you done?", to which Chapman replied "I just shot John Lennon." Chapman then calmly took his coat off, placed it at his feet, took out a copy of J.D. Salinger's novel, The Catcher in the Rye, and started reading. Police arrived within minutes, to find Chapman still waiting quietly outside, still reading the book.
The two officers transported Lennon to Roosevelt Hospital in the back of their squad car as they thought Lennon was too badly hurt to take the risk of waiting for an ambulance. Despite extensive resuscitative efforts in the Emergency Department, Lennon had lost over 80% of his blood volume and died of shock at the age of 40.

When asked once in the 1960s how he expected to die, Lennon's offhand answer was "I'll probably be popped off by some loony." In retrospect, although Lennon might have meant it as a joke and did not expect it to happen, the comment turned out to be chillingly accurate. Another chillingly accurate comment was made in his last interview, where he mentioned that he often felt that somebody was stalking him: first it was federal agents in the 1970s trying to deport him and later the obsessed fan in 1980.

Mark David Chapman, murderer of musician John Lennon, was carrying the book when he was arrested immediately after the murder and referred to it in his statement to police shortly thereafter. Oddly enough, Lennon had been reading the book at the time of his death.

我想:如果說這次寫報告最大的收穫是什麼,那應該是發現《麥田捕手》與約翰藍儂之死的喜劇性關係。約翰藍儂登上了世界的舞台,他戲劇性的死亡,我想在他這個充滿戲劇性的人生劃上戲劇性的句點,實在沒有一個結局比這個恰當。雖然已經無法驗證,他的死法到底是不是因為自己的「禍從口出」,又或許他是有意的無意。如果說是潛意識主宰了這個人,或許他的死就想他的生一樣被他的主人(潛意識)主宰著。"I'll probably be popped off by some loony." 潛意識的「放話」,招來了「聽見」的人Mark David Chapman。這樣想或許太荒謬、一竅不通,但這是我在看這件事感覺到的。雖然現實最終歸回法律、道德與理性,但我覺得,如果不是透過想像力,則約翰藍儂的死永遠只能用「被瘋子槍殺了」這樣一個「事實」去解釋。但「瘋子」又是那麼不能用「理性」去解釋他的行為的。

資料參考:
  1. http://www.iamthebeatles.com/index-2.html
  2. http://www.lennon.net/timeline/1940.shtml
  3. http://en.wikipedia.org/wiki/John_Lennon
  4. http://johnlennon.lyrics.info/
  5. http://www.primaltherapy.com/SEO/primal_theory_overview.shtml

星期日, 1月 01, 2006

Tavistock Group

Trainning Group
小團體中的每一個成員都是ㄧ個獨特有趣的個體在互動著,這個團體經驗到的是和諧(harmony)。我經驗一種尊重,這種尊重是:我尊重你的想法,因為我可以接受你是一個獨立的個體,你可以有你自己的想法,但並不代表我接受你的一切。我們是一個小團體,我們是這個團體的成員,我們可以說享有平等的權利。我們表現出友善,與互動者建立良好的關係,避免被排擠的焦慮。
在這個團體中,認同這個團體的存在如認同自己在這個團體的存在一樣重要。也因為這樣,有效的互動是必要的,彷彿從他者的回應證明自己的存在,是有趣的現象。話題總是被有意無意的提出,也被有意無意的回應,也被有意無意的轉移,唯一可以肯定的是我們都在「努力」過這90分鐘的小組時間。「努力」的部份並不能用難過或悲觀來形容,這裡的努力進行的形式是積極的(至少從表面上看),我們透過話題,認識(或有點理解)對方的世界(想法)。

Tavistock Group
網路文化
大團體給我的感覺像網路的使用,龐大的數據量讓人窒息。電腦、mp3隨身聽、書籍類似網路信箱的垃圾信件攔截器,「我」可以隨我的喜歡開啟與刪除每一封信。同時是一種觀察團體的掩飾也是將自己隱形1(invisible) 。我常常會在大團體中提到一些感覺經驗的東西和一個比較世界性的角度的想法。我自己的解讀是:
(一)我認為某些心理歷程(情感的部份)是世界一同的,不是一群人獨有的,同時與人處在的環境與文化交互影響而表現出個人的,獨特的詮釋方式。
(二)我本身在這團體就像我在團體中的存在時那麼近(可見)的,但我所談的東西卻是那麼遙遠(抽象)的;我認真的投入這個團體,但我經常察覺我的情感的部份是被壓抑的。被壓抑下來的部份是一些私人的、脆弱(不想被人靠近)的。我在團體中找不到親密感是我不想讓自己太暴露。我是自由的同時我不自由。

個體與團體
這個團體中的個體差異還蠻大的,可以感覺到兩個明顯的世代。我們每一個發言的人個自帶著自己的生活背景,因為我們從不同的成長時空接受了不同世代的訊息。我們(X)2不自覺的被我們處在的環境塑造,在沒有相對的不同環境成長的對象(Y)比較下,我們的思想變成絕對,與對象產生隔閡。有趣的是,同時代的一群人又因個人成長環境因素的不同,在接收一個大時代(涉及大範圍影響整個地區的人的心理狀態的事件:教改)的影響的同時有一些細部的不同(成長環境:父母教養)而長成許許多多不一樣的X1, X2, X3, X……, X∞。結果是我們的談話大部分是在澄清自己的立場。
「我們要做些什麼」的X世代
帶著心理學的背景,我坐在這個團體就是要做什麼……
個人色彩的Y世代
高度資本主義世代的反資本主義之誕生:個體化(individualism) 。我們變成了《2100全民開講》。


團體的開始像平常的海,海浪一波一波的:交頭接耳、mp3、電腦、書籍、獨處、自在
同時暗流在悄悄的流動:焦慮在人群中流動
一個浪擊起來了:突然有人站起來,說了什麼
浪推下去,恢復平靜:沒人接上話
另一波浪起了,但不會是同一個浪:有人回應,有的是針對剛剛的話回應,有的不是
浪越來越頻密:越來越多人開始說話
浪越來越大…… 有時只是浪大了點,有時颱風、颶風、海嘯……

寫報告的過程:經驗、觀察與行動
報告寫到一半,我覺得很煩,因為好像不管我怎麼寫下去,我都沒辦法寫出些什麼好東西。為不能突破感到焦慮和開始失望。要突破的是我需要一些新的想法去整理/解釋團體到底發生了什麼事。或許我本來就不必試著去解釋什麼,但我很明顯有這樣的動機。
或許我的焦慮,來自我在思想上的孤單,渴望智慧的出現。我在被自己的潛意識控制著,我壓仰了我的焦慮,我將我的情感投射,看見他人的焦慮。我應該寫更多有關我自己在團體中的經驗與觀察,但我都沒寫(原本計畫要寫)。我覺得團體的焦慮由我而來(可能不只我)。突然有種感覺:團體中的對話,其實大部分只是防衛機制在作祟……

自由
如果心理學是研究人類心理歷程與外顯行為的一門科學,那麼這起的經驗告訴我:研究這個團體的外顯行為就像佛洛伊德講的人格的意識部份(只是冰山的一角),心理歷程的探討才是前意識的部份。我們有了經驗、觀察團體的機會,也能在這團體中行動,我們有這個自由(意識);相對的,我們如何去經驗、觀察這個團體和在裡頭行動,反而給我無力感,因為我們不自由(潛意識)。
__________
註解:
  1. 隱形:在Instant Messenger (msn etc.)中將自己顯示為離線或離開。
  2. X:X世代 (X-Generation)在實際年齡上比Y世代(Y-Generation)來得大。

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