顯示具有 藝術 標籤的文章。 顯示所有文章
顯示具有 藝術 標籤的文章。 顯示所有文章

星期六, 2月 28, 2009

Crisis of Credit


The Crisis of Credit Visualized from Jonathan Jarvis on Vimeo.

Jonathan Jarvis have done the writing, direction, animation & sound all alone to produce this lovely piece of useful and clear information on his thesis work in the Media Design Program, a graduate studio at the Art Center College of Design in Pasadena, California. I love his idea of not only getting his thesis done well, but also take the chance to share and inspire others through his work. Bravo!

www.crisisofcredit.com

星期三, 11月 05, 2008

I love Obama's Speaking


Catch BarackObamadotcom at Youtube. I love Obama's Speaking & arts too :) Check it out on Obama Art Report blog.

This piece entitled "Prospects of Democracy" incorporates sound bites from a political speech of Noam Chomsky about America's ideal concepts of democracy versus it's current misappropriation. It also a incorporates excerpts from Charlie Chaplin's closing speech in the film "The Great Dictator" which similarly discusses the pitfalls of greed combined with politics.

星期四, 10月 25, 2007

動靜

昨天,老祁問我說我的藝術天份是不是被埋沒了。我回答說:『我心中那把火是不會熄的!』『吹一下,不就熄囉。』他也很幽默的笑著接上。我想應該是他看了我的blog的那幾幅畫,才會這麼問吧。其實說來也很有趣,我那幾張畫永遠是我blog中最「熱門」,點閱率奇高的。不管我blog什麼,那幾幅畫總是比較多人看。或許我的繪畫「天賦」真的是在我這幾年一頭栽進心理學領域苦學研究而被埋沒了,一直沒有作品生產,真的是辜負了當年啟蒙和栽培我的老師們。但是,我栽入心理學並不是無頭蒼蠅,而是一個有意識的行動者。當年在隆中華美術學會的日子,尤其在我高中畢業那年,我強烈意識到在組織中那種無形的人與人拉扯、轉換和昇華的變化的力量,是比藝術更為吸引我的「藝術」。我彷彿像是在捏陶土的人,但雕塑作品的不只我一個人,它包含的陶土本身,它的土質、黏度、溼度、給我的觸覺和氣味等。我的作品乃是「我」與「陶土」兩個個體的深刻接觸的成果。我穿梭在藝術、哲學與心理學之間,看似不同領域,卻有著相同的本質。而我最近更清楚看見著本質乃是華夏民族中心思想--「太極陰陽」也!

星期四, 4月 19, 2007

M.C.Escher

好久好久,我終於找到他了,M.C.Escher,她說他是數學家,原來如此。深深被 M.C.Escher 的才華吸引。天才都是左撇子,我不是。
Maurits Cornelis Escher (1898-1972) is one of the world's most famous graphic artists. His art is enjoyed by millions of people all over the world, as can be seen on the many web sites on the internet.

He is most famous for his so-called impossible structures, such as Ascending and Descending, Relativity, his Transformation Prints, such as Metamorphosis I, Metamorphosis II and Metamorphosis III, Sky & Water I or Reptiles.

But he also made some wonderful, more realistic work during the time he lived and traveled in Italy.

Castrovalva for example, where one already can see Escher's fascination for high and low, close by and far away. The lithograph Atrani, a small town on the Amalfi Coast was made in 1931, but comes back for example, in his masterpiece Metamorphosis I and II.

M.C. Escher, during his lifetime, made 448 lithographs, woodcuts and wood engravings and over 2000 drawings and sketches. Like some of his famous predecessors, - Michelangelo, Leonardo da Vinci, Dürer and Holbein-, M.C. Escher was left-handed.

Apart from being a graphic artist, M.C. Escher illustrated books, designed tapestries, postage stamps and murals. He was born in Leeuwarden, the Netherlands, as the fourth and youngest son of a civil engineer. After 5 years the family moved to Arnhem where Escher spent most of his youth. After failing his high school exams, Maurits ultimately was enrolled in the School for Architecture and Decorative Arts in Haarlem.

After only one week, he informed his father that he would rather study graphic art instead of architecture, as he had shown his drawings and linoleum cuts to his graphic teacher Samuel Jessurun de Mesquita, who encouraged him to continue with graphic arts.

After finishing school, he traveled extensively through Italy, where he met his wife Jetta Umiker, whom he married in 1924. They settled in Rome, where they stayed until 1935. During these 11 years, Escher would travel each year throughout Italy, drawing and sketching for the various prints he would make when he returned home.

Many of these sketches he would later use for various other lithographs and/or woodcuts and wood engravings, for example the background in the lithograph Waterfall stems from his Italian period, or the trees reflecting in the woodcut Puddle, which are the same trees Escher used in his woodcut "Pineta of Calvi", which he made in 1932.

M.C. Escher became fascinated by the regular Division of the Plane, when he first visited the Alhambra, a fourteen century Moorish castle in Granada, Spain in 1922.

During the years in Switzerland and throughout the Second World War, he vigorously pursued his hobby, by drawing 62 of the total of 137 Regular Division Drawings he would make in his lifetime.

He would extend his passion for the Regular Division of the Plane, by using some of his drawings as the basis for yet another hobby, carving beech wood spheres.

He played with architecture, perspective and impossible spaces. His art continues to amaze and wonder millions of people all over the world. In his work we recognize his keen observation of the world around us and the expressions of his own fantasies. M.C. Escher shows us that reality is wondrous, comprehensible and fascinating.


https://www.artsy.net/artist/maurits-cornelis-escher
http://www.mcescher.com/
http://en.wikipedia.org/wiki/M._C._Escher

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